也是一部著名科幻小说改编的作品，整部电影的感觉像是前几年的《艾特熊和赛娜鼠2：吉波利塔之旅》，只是后者更晦涩更文艺.     这部电影后半程的外星地探索很像一部恐怖电影，但整体节奏偏乱，也不是太明白到底想讲什么.     猜测过去导演的意图是说明每个人都有不想面对的过往，通过异空间折射出自己的真实.     男女主的结局都是通过否定自我从而完成升级.     最后部分的留白很有恐怖片的味道，但为什么要这么做呢？导演似乎还没搞清楚这片想要干什么.     201908163.5；这部和《艾特熊和赛娜鼠2：吉波利塔之旅》可以构成联动，小男孩的名字都叫“昌浩”，且身份都是脱北者，最后都以空旷邈远的远景中个体的踽踽独行结束.     背景移至蒙古，依然是身份的无法确认和文化的夹杂.     叙事性非常稀薄，但空间的调度和场长镜中蕴含的信息量都异常丰富，男女欲望的隐晦流露有一点点像金基德.     驶过的坦克，广播中的核弹新闻，张律的影片永远不会让社会背景缺席.     The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..